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Until 1974, that museum held several of his paintings on loan from armenhuis van Nordingen; [1] presumably Huis van Achten in Alkmaar, which had been founded using a legacy from van Nordingen. As of 2019, the museum displays his Visstilleven met gezicht op Egmond ('Still life of fish with view of Egmond') in its permanent collection. [2]
Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders.
Still Life with Cheeses, Almonds and Pretzels (Dutch: Stilleven met kazen, amandelen en krakelingen) is a painting by the Flemish artist Clara Peeters, c. 1615. [1] It is a still life, painted in oils on a wooden panel, measuring 34.5 cm × 49.5 cm (13.6 in × 19.5 in).
Still life with artichokes in a silver gilt wine cistern and other silver objects. Alexander Adriaenssen [1] (1587 in Antwerp – 1661 in Antwerp) was a Flemish Baroque painter, particularly known for his still-lifes of fish and game pieces. He also painted banquet pieces with food and flower still lifes. [2]
Rubens introduced the monumental hunt to Flemish art, depicting on a large scale a close battle inspired by his study of classical antiquity and Leonardo da Vinci's Battle of Anghiari. These works show both noble hunts, such as the Wolf and Fox Hunt (Metropolitan Museum of Art), and exotic hunts, such as the Lion Hunt (Alte Pinakothek, Munich).
Still Life with Fruit, Flowers, Glasses and Lobster. 1660s. Oil on canvas. 87,5 x 72,5 cm. Royal Museums of Fine Arts of Belgium. Oil on canvas. 87,5 x 72,5 cm. Royal Museums of Fine Arts of Belgium. A number of de Heems, of whom Jan Davidsz. was the most distinguished, painted works in similar styles, that are often hard to distinguish.
Jan Fyt was born in Antwerp as the son of a wealthy merchant [3] [4] originally from Sint-Niklaas. [5] [6] In 1621 Fyt was registered at the Antwerp Guild of St Luke as an apprentice of Hans van den Berghe (also referred to as 'Jan van den Bergh'), a Dutch painter and draughtsman who had trained with Goltzius in Haarlem and later with Rubens in Antwerp. [7]
Sumptuous still life. Jan van den Hecke made a number of works in a distinctively Flemish genre, which is referred to as 'garland painting'. Garland paintings are a special type of still life developed in early 17th century Antwerp by Jan Brueghel the Elder at the instigation of the Italian cardinal Federico Borromeo. [9]