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Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy.It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development ...
A priori and a posteriori; A series and B series; Abductive reasoning; Ability; Absolute; Absolute time and space; Abstract and concrete; Adiaphora; Aesthetic emotions
The philosophy of literature, a subset of aesthetics, examines the nature of art and the significance of verbal arts, often overlooked in traditional aesthetic discussions. It raises philosophical questions about narrative, empathy, and ethics through fictional characters.
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
The question arises because philosophical writing does more than report results. It is a process of discovery in its own right, and the process unfolds differently in the aphorism than it does in the essay, and differently through irony than through the counter-example.
A commentary of a philosophical text is an analysis of a philosophical text that is undertaken from different angles and points of view, and that enables the study of its nature and characteristics.
Dostoevsky engages with profound philosophical and social problems by using the techniques of the adventure novel as a means of "testing the idea and the man of the idea". [8] Characters are brought together in extraordinary situations for the provoking and testing of the philosophical ideas by which they are dominated. [9]
The argument over the underlying nature of ideas is opened by Plato, whose exposition of his theory of forms—which recurs and accumulates over the course of his many dialogs—appropriates and adds a new sense to the Greek word for things that are "seen" (re. εἶδος) that highlights those elements of perception which are encountered without material or objective reference available to ...