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grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]
[citation needed] Taken with the synonymous labeling of shepherd's- and single crochet, and the similar equivalence of French- and double crochet, there is a strong suggestion that crochet is rooted both in tambour embroidery and shepherd's knitting, leading to thread and yarn crochet respectively; a distinction that is still made. The locus of ...
Most crochet uses one hook and works upon one stitch at a time. Crochet may be worked in circular rounds without any specialized tools, as shown here. Spread tow: Spread tow is a production method where the tow fibers are spread into thin tapes, and then the tapes are woven as warp and weft.
A scarf (pl.: scarves or scarfs) is a long piece of fabric that is worn on or around the neck, shoulders, or head. A scarf is used for warmth, sun protection, cleanliness, fashion, religious reasons, or to show support for a sports club or team. [ 1 ]
It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting. The traditional visual symbols vary widely among the differing peoples' traditions, despite the common mistaken perception that dot painting is representative ...
Malle Babbe, c. 1633/35.Oil on canvas, 75 x 64 cm, Berlin. The Gypsy Girl was lent out for the 1962 Frans Hals exhibition in the Frans Hals Museum, where she inspired the Haarlem singer-songwriter Lennaert Nijgh to write a song about her which he called Malle Babbe, mistakenly named after another painting in the same exhibition. [5]
The painting measures 138 by 138 cm (54 by 54 in); [42] [n 5] it is composed of oil paint and silver and gold leaf on canvas. The portrait shows Adele Bloch-Bauer sitting on a golden throne or chair, in front of a golden starry background. Around her neck is the same jewelled choker Klimt included in the Judith painting.
Valéry knew the painting well: he was married to Morisot's niece, Jeannie Gobillard, the daughter of Morisot's sister Yves and her husband Theodore Gobillard, and so he also related by marriage to Manet; indeed, his wedding in 1900 was a double celebration at the same time as the marriage of Morisot's daughter Julie Manet to Ernest Rouart.
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