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Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905. O'Keeffe experimented with depicting flowers in her high school art class. Her teacher explained how important it was to examine the flower before drawing it.
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
1927 Intimate Gallery, New York, Georgia O’Keeffe: Paintings, 1926 as The Dark Iris No. III; 1933 at An American Place as Black Iris; 1966 Amon Carter Museum of Western Art, Fort Worth, Texas, Georgia O'Keeffe: An Exhibition of the Work of the Artist from 1915 to 1966; 1970 Whitney Museum of American Art, New York, Georgia O'Keeffe as Black ...
Elizabeth Catlett (1915-2012) is a famous Black female artist with a knack for combining abstract and figurative styles, plus African and Mexican art traditions, to create sculptures and prints ...
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Henri Matisse was known as a versatile artist who dabbled in many art forms and experimented with various media, including painting, drawing, sculpture, and graphic arts such as etchings, linocuts ...
Dutch flower artists (68 P) H. Huysum family of painters (6 P) K. Kadōka (8 P) O. Georgia O'Keeffe (1 C, 10 P, 1 F) Pages in category "Flower artists"
Hunter's paintings changed throughout her lifetime. Her early work, such as "Cane River Baptism" from 1950, features more earth tones and muted colors. [6] Before the patronage and support from François Mignon and others, Hunter used paint left by visiting artists at Melrose Plantation, therefore she was working within other artists' palettes ...
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