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To convert a 24 frame/sec movie to 60 field/sec television, for example, alternate movie frames are shown 2 and 3 times, respectively. For 50 Hz systems such as PAL each frame is shown twice. Since 50 is not exactly 2×24, the movie will run 50/48 = 4% faster, and the audio pitch will be 4% higher, an effect known as PAL speed-up .
Some non-mel auditory-frequency-scale formulas use the same form but with much lower break frequency, not necessarily mapping to 1000 at 1000 Hz; for example the ERB-rate scale of Glasberg and Moore (1990) uses a break point of 228.8 Hz, [15] and the cochlear frequency–place map of Greenwood (1990) uses 165.3 Hz.
The image sampling frequency is the repetition rate of the sensor integration period. Since the integration period may be significantly shorter than the time between repetitions, the sampling frequency can be different from the inverse of the sample time: 50 Hz – PAL video; 60 / 1.001 Hz ~= 59.94 Hz – NTSC video
Alternatively, the frequency of the sinusoids in a sinusoidal model may be altered directly, and the signal reconstructed at the appropriate time scale. Transposing can be called frequency scaling or pitch shifting, depending on perspective. For example, one could move the pitch of every note up by a perfect fifth, keeping the tempo the same.
The fundamental frequency of speech can vary from 40 Hz for low-pitched voices to 600 Hz for high-pitched voices. [12] Autocorrelation methods need at least two pitch periods to detect pitch. This means that in order to detect a fundamental frequency of 40 Hz, at least 50 milliseconds (ms) of the speech signal must be analyzed.
In digital audio, 44,100 Hz (alternately represented as 44.1 kHz) is a common sampling frequency.Analog audio is often recorded by sampling it 44,100 times per second, and then these samples are used to reconstruct the audio signal when playing it back.
Last night, the actor defied the cold weather in New York City, stepping out in a pair of black leather micro shorts.
The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range. Well-designed solid-state amplifiers and CD players may have a frequency response that varies by only 0.2 dB between 20 Hz to 20 kHz. [4]
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