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The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
Fragment of Manichaean Wall Painting "MIK Ⅲ 6918" is a fragment of a Manichaean mural collected in Germany Berlin Asian Art Museum, painted around the 10th century AD, and was found by the German Turpan expedition team in the ruins of Gaochang, in Xinjiang. The fragment is 88 centimeters long and 168.5 centimeters wide.
The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, [2] The drawing technique and artistic style are very similar to "Episodes from Mani's Missionary Work", "The Birth of Mani", "Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan. [3]
However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Museum of Art in Osaka, Japan in 2019. Later, the painting was exhibited at the "National Treasure No. Fujita Museum Exhibition" at the Nara National Museum.
Leaf from a Manichaean book MIK III 6368 is a fragment of Manichaean manuscripts collected in Germany Berlin Asian Art Museum, drawn during the 8th-9th centuries, Was discovered in Xinjiang by German Turpan expedition team in the early 20th century.
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
Analysis by Zsuzsanna Gulácsi. Like the other two Manichaean works "Sermon on Mani's Teaching of Salvation" and "Mani's Community Established", this picture also depicts several scenes, but it is different from the former and the latter in terms of levels With the collage technique, the distinction and boundary between the various scenes in this painting is not obvious, and the picture is ...
According to the art historian Zsuzsanna Gulácsi, the white robed priest—the silhouette of whose face against the green halo—is a depiction of the prophet Mani. [ 5 ] In 2009, Professor Yoshida raised an idea that this painting might constitute a Chinese version of Mani's Book of Pictures , and subsequently by Gábor Kósa .
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