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Richard Combs of The Monthly Film Bulletin described Blue Blood as a series of "cheap, coarsely-filmed charades" and criticised the film's direction: "once Sinclair gets down to working out his theme (black-blooded butler usurps degenerate, blue-blooded employer), the skimpiness of his material and the shoddiness of this TV-sketch technique become painfully evident."
The Independent wrote that the film "rarely features on the official list of 'great British films of 1952' but it does boast a winning performance from Sidney Tafler in the title role amid a bomb-ravaged London of quite amazing shoddiness." [12]
The Shakedown (also known as The Naked Mirror) is a 1959 black and white British crime-drama film directed by John Lemont, starring Terence Morgan, Hazel Court, and Donald Pleasence. [1]
They remarked on the "hurried shoddiness" of its production which "doesn't even sound like a finished mix". [8] Co-producer Ken Scott however, speaking in 1999, defended the mix as the result of careful deliberation: [10] 'Watch That Man' was very much a Stones-sounding thing, with the vocal used as an instrument rather than as a lead.
Larry Kart of the Chicago Tribune gave the film zero stars out of four and wrote that "the shoddiness of the product is beyond belief. Lines are blown left and right, cuts within scenes don't match, and the performances would be unacceptable in a home movie ...
Zen and the Art of Motorcycle Maintenance: An Inquiry into Values is a book by Robert M. Pirsig first published in 1974. It is a work of fictionalized autobiography and the first of Pirsig's texts in which he discusses his concept of Quality.
The Panther Squad is a 1984 French–Belgian–Liechtensteiner [1] action comedy film directed by Pierre Chevalier and starring Sybil Danning, Jack Taylor, Antonio Mayans, Karin Schubert and Donald O'Brien.
First Time Live was recorded in the fall of 1984 but wasn't released to stores until 1985. While not nearly as historically relevant as Live at Dancetown U.S.A. (a vintage 1965 Jones performance from his honky-tonk heyday), First Time Live offers a glimpse into what Jones's live shows were like the late-1980s, which almost always started with "No Show Jones", a song he recorded with Haggard ...