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Carl Gustav Jung (/ j ʊ ŋ / YUUNG; [1] [2] German: [kaʁl ˈjʊŋ]; 26 July 1875 – 6 June 1961) was a Swiss psychiatrist, psychotherapist, psychologist and pioneering evolutionary theorist who founded the school of analytical psychology.
This text originally comes from a lecture delivered by Jung at the Eranos Conference at Ascona, Switzerland in 1937. It was revised and expanded in 1954. [5] Much of this chapter is devoted to a translation of Zosimos of Panopolis's The Treatise of Zosimos the Divine concerning the Art, an important alchemical text from the 3rd century CE.
The painting represents an imaginary scene of a contemporary scientific demonstration, based on real life, and depicts the eminent French neurologist Jean-Martin Charcot (1825–1893) delivering a clinical lecture and demonstration at the Pitié-Salpêtrière Hospital in Paris (the room in which these demonstrations took place no longer exists at the Salpêtrière).
Carl Jung. When it comes to quotes, there are millions out there. ... 21. “Art is a kind of innate drive that seizes a human being and makes him its instrument. To perform this difficult office ...
She was in succession the patient, then student, then colleague of Carl Gustav Jung, with whom she had an intimate relationship during 1908–1910, as is documented in their correspondence from the time and her diaries. [2] [3] [4] She also met, corresponded, and had a collegial relationship with Sigmund Freud.
Set in the period from 1902 to the eve of World War I, A Dangerous Method follows the turbulent relationships between Carl Jung, founder of analytical psychology, Sigmund Freud, founder of the discipline of psychoanalysis, and Sabina Spielrein, initially Jung's patient and later a physician and one of the first female psychoanalysts. [3]
Hardback facsimile first edition of the Red Book, 2009. Jung worked on his text and images in the Red Book using a calligraphic pen, multicoloured ink, and gouache paint. The text is written in German but includes quotations from the Vulgate in Latin, a few inscriptions and names written in Latin and Greek, and a brief marginal quotation from the Bhagavad Gita given in English.
The book has Jung's first mention of the archetype, as well as his later views on its nature. There is also a 1916 essay on the therapeutic uses of active imagination. [2] Several important chapters elucidate Jung's ideas on synchronicity, which were later published separately as Synchronicity: An Acausal Connecting Principle. [16]
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