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For other tuning schemes, refer to musical tuning. This list of frequencies is for a theoretically ideal piano. On an actual piano, the ratio between semitones is slightly larger, especially at the high and low ends, where string stiffness causes inharmonicity, i.e., the tendency for the harmonic makeup of each note to run sharp.
Sharp and flat signs are placed immediately after the note name, for example B ♭ or F ♯, as indicated by Wikipedia:Manual of Style (music)#Accidentals. If the octave is also to be indicated, use either Helmholtz pitch notation, as in E–A–d–g–b–e′ for the guitar, or scientific pitch notation, as in E 2 –A 2 –D 3 –G 3 –B 3 ...
A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
Standard aka "Argentine tuning" or "G 6 tuning", one fourth lower than the charango. Very similar in appearance to the charango, but slightly larger. Charango, Ranka: 11 strings 5 courses. G 4 G 4 •C 5 C 5 •E 5 E 4 •A 4 A 4 •E 5 E 5 E 6 •D 4 D 4 •A 4 A 4 •G 5 G 4 •C 5 C 5 •G 5 G 5 G 6: Patasi Charango, Ranqha Charango ...
Variations in the frequency of harmonics can also affect the perceived fundamental pitch. These variations, most clearly documented in the piano and other stringed instruments but also apparent in brass instruments , are caused by a combination of metal stiffness and the interaction of the vibrating air or string with the resonating body of the ...
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.
Stretched tuning is a detail of musical tuning, applied to wire-stringed musical instruments, older, non-digital electric pianos (such as the Fender Rhodes piano and Wurlitzer electric piano), and some sample-based synthesizers based on these instruments, to accommodate the natural inharmonicity of their vibrating elements.
with this set of chosen notes in bold face, and some of the omitted notes shown in grey. [e]This limitation on the set meantone notes and their sharps and flats that can be tuned on a keyboard at any one time, was the main reason that Baroque period keyboard and orchestral harp performers were obliged to retune their instruments in mid-performance breaks, in order to make available all the ...