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A duck decoy (or decoy duck) is a man-made object resembling a duck. Duck decoys are typically used in waterfowl hunting to attract real ducks, but they are also used as collectible art pieces. [1] Duck decoys were historically carved from wood, often Atlantic white cedar wood on the east coast of the United States, [2] or cork.
General Fibre began manufacturing decoy ducks under the Ariduk brand in 1946. [1] The company mass produced mallards, pin tails, blue bills, black ducks, canvasbacks, oversized mallards, and oversized black ducks. General Fibre also produced two species of Canada goose decoys and two types of crow shooter's kits.
Their decoys are highly prized by collectors. Few examples of their work survive on the open market, as private collectors and museums now own most of their original works. In November 2006, a Ward Brothers goldeneye drake decoy sold for US$109,250 at an Easton, Maryland waterfowl festival auction. [ 1 ]
The Boarstall Duck Decoy is a 17th-century duck decoy located in Boarstall, Buckinghamshire, England, and now a National Trust property. The system took advantage of a two-acre lake with pipe-cage tunnels running out of it. [1] At one time a common sight in the English countryside, only four duck decoys now remain.
For this reason, decoys of his from this period are slightly less desirable than those made earlier. The decoy, as a form, implies both sculpture and function, and Crowell approached their creation as an artist. As George Hepplewhite wrote in the 18th century, the interpretation and execution of the decoys, "blend the useful with the agreeable."
Wild Fowl Decoys is an art reference book by American collector Joel Barber. It was the first book that was published on decoys and decoy collecting. It was first published in 1934 by Eugene V. Connett III by the original Derrydale Press. As were almost all original Derrydale Press books, it was published as a limited edition.
Ernie Mills (born 1934, near Bangor, Pennsylvania) is an American third generation Decoy maker. He makes Lower Chesapeake style decoys. [1] Nationally recognized as a folk artist, his traditional working decoys can be found in private collections and museums, including the Smithsonian Institution.
Today's duck calls usually fall into three main categories: single, double, or triple reed call with many variations, although the triple reed is rare. The goal of a duck call is to sound like a realistic live duck, in attempts to decoy, or fool a duck into believing the decoys that are seen by a duck, and the sound that is heard appears lifelike.
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