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Usher Raymond IV (born October 14, 1978) is an American singer, songwriter, dancer, and actor. He is recognized as an influential figure in contemporary R&B and pop music.In 1994, Usher first released his self-titled debut album at the age of 15 and rose to fame in the late 1990s following the release of his second album, My Way (1997).
Usher stated that he and his team put a lot of creativity and effort into the record, in order "to tell a story that is open to interpretation" and is intended to connect with people. [12] Coming Home is Raymond's first independent album, and supported by the tour Usher: Past Present Future (2024–2025).
Raymond v. Raymond is the sixth studio album by American singer Usher, released on March 26, 2010, by LaFace Records.Production for the album took place in 2009 and was handled by several producers, including Jermaine Dupri, The Runners, Ester Dean, Polow da Don, RedOne, Jim Jonsin, Danja, Jimmy Jam & Terry Lewis, Bangladesh, Zaytoven, and Tricky Stewart.
My Way is the second studio album by American singer Usher.It was released on September 16, 1997, by LaFace Records in North America.The album features guest appearances from Monica, Jermaine Dupri, and Lil' Kim.
Usher Raymond Jocelyn A. Donald Xavier Dotson Sergio Kitchens Tony Wilson A: 2018 [4] "Glu" Usher Usher Raymond Bobby Ross Avila Issiah J. Avila Sean Garrett Jonathan Smith — 2023 [25] "Go Missin'" Usher and Diplo: Usher Raymond Thomas Pentz — 2013 [26] "Good Good" Usher with Summer Walker and 21 Savage: Usher Raymond Shéyaa Abraham-Joseph ...
"Call Me a Mack" is the debut single released by R&B singer Usher. It was written by Usher, Tim Thomas and Teddy Bishop and recorded for the soundtrack album of the 1993 romantic drama film Poetic Justice. Produced by Thomas and Bishop under their production moniker Tim & Ted, "Call Me a Mack" was released separately in 1993 for Epic Records.
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Andy Kellman of AllMusic noted the track as a standout from Raymond v. Raymond. [7] Greg Kot of the Chicago Tribune said that the sweetness of Usher's falsetto balanced out the album's "boilerplate swagger." [8] Fraser McAlpine of BBC Music thought that the song recalled Usher's past slow jams, coining it, "a sumptuous deep-pile carpet of ...