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There are many styles of mandolin, but the three most common types are the Neapolitan or round-backed mandolin, the archtop mandolin and the flat-backed mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued together into a bowl.
The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.
A 5th below mandolin tuning. Mandolin: 8 strings 4 courses. G 3 G 3 •D 4 D 4 •A 4 A 4 •E 5 E 5. Alternates: "Get Up John Tuning": F ♯ 3 A 3 •D 4 D 4 •A 4 A 4 •A 5 D 5. All violin alternate tunings may be adapted for the mandolin Standard instrument of the mandolin family. Mandolinetto: 8 strings 4 courses. G 3 G 3 •D 4 D 4 •A ...
Most bluegrass mandolin players choose one of two styles. Both have flat or nearly flat backs and arched tops. The so-called a-style mandolin has a teardrop-shaped body; the f-style mandolin is more stylized, with a spiraled wooden cone on the upper side and a couple of points on the lower side.
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The transition from the mandolino to the mandolin began around 1744 with the designing of the metal-string mandolin by the Vinaccia family, 3 brass strings and one of gut, using friction tuning pegs on a fingerboard that sat "flush" with the sound table. [44] The mandolin grew in popularity over the next 60 years, in the streets where it was ...
The scale of the mandocello is longer than that of the mandolin. Gibson examples have a scale length of 24.75" (62.87 cm) but flat-back designs have appeared with both significantly shorter and longer scale lengths (27"/68.58 cm on some Vega mandocellos). Bowl-back instruments may have a shorter scale length, on the order of 22.5" (about 57 cm).
The Pagani model was also one of the few eight-string mando-basses made in the US, with four double-strung courses like the European tremolo bass. Vega produced both a flat-back and a humped-back mando-bass (known as a "cylinder back"), both with a generally mandolin-shape in outline, but with markedly pointed upper bouts.