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"Lorena" is an American antebellum song with Ohio origins. The lyrics were written in 1856 by Rev. Henry D. L. Webster, after a broken engagement.He wrote a long poem about his fiancée Ella Blocksom, but changed her name at first to "Bertha" and later to "Lorena", perhaps an adaptation of "Lenore" from Edgar Allan Poe's poem "The Raven."
My Country, 'Tis of Thee", also known as simply "America", is an American patriotic song, the lyrics of which were written by Samuel Francis Smith. [2] The song served as one of the de facto national anthems of the United States (along with songs like " Hail, Columbia ") before the adoption of " The Star-Spangled Banner " as the official U.S ...
Chester" is a patriotic anthem composed by William Billings and sung during the American Revolutionary War. Billings wrote the first version of the song for his 1770 songbook The New England Psalm Singer , and made improvements for the version in his The Singing Master's Assistant (1778).
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
World War I produced many patriotic American songs, such as "Over There", written by popular songwriter George M. Cohan. Cohan composed the song on April 6, 1917, when he saw some headlines announcing America's entry into the war. [6] Cohan is also famous for penning "Yankee Doodle Dandy," an over-the-top parody of patriotic music.
Introduction and Theme; Variation I; Variation II; Interlude I; Variation III; Variation IV; Interlude II; Variation V; Coda; The interludes are Ives's first notated use of bitonality: the first combines F major for the right hand and D-flat major for the left hand and pedals, whilst the second combines A-flat major and F major.
In 1968, The Nice, featuring Keith Emerson, covered an instrumental version of "America" as the band's second single. This version had the main theme playing against a straight 4 4 beat, also including pieces of Dvořák's New World Symphony, then changing in the middle to 6 8 for improvised guitar and organ solos.
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