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The traditional design is used in cloisters, triforiums, and stained glass windows of famous buildings such as Notre-Dame, Salisbury Cathedral, and Regensburg Cathedral. [27] Stone cut-out hexafoils are displayed in a plate tracery style in the Salisbury Cathedral, creating a pattern along the triforium. [28]
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Vase (1872) manufactured by the Venice & Murano Glass & Mosaic Co. (Victoria and Albert Museum) Millefiori (Italian: [ˌmilleˈfjoːri]) is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). [1]
In the Stained Glass Museum at Ely is a design for a three light stained glass window for St Matthew's Church, Surbiton. The centre light shows the Virgin Mary and the Jesus Child. The outer lights shows angels, one holds a spear pointed at the large serpent which appears at the bottom of the three lights. This was executed in around 1920.
The Hauser Art Glass Company, another long-standing American stained glass studio, was founded in 1946 by James E. Hauser in Winona, Minnesota. It was originally opened as a repair and restoration studio, focused on serving small, remote churches, after Hauser recognized an opportunity to aid many American churches whose stained glass windows ...
This left Wilhelm Kielblock, a noted German stained glass designer and painter, [2] and Elmore Helf, a business man, to reorganize the company. Elmore Helf was not the first member of the Helf family to run a stained glass studio, his father, Henry Helf, was shop foreman for Von Gerichten Art Glass Company in Columbus, Ohio. [3]
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