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Source Audio is a guitar effects pedal company that was founded in Woburn, Massachusetts in 2006. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug ...
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] It is also used for looping. [3]
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
MXR Carbon Copy. You can spend a lot of money looking for the perfect delay. Or you can grab a used MXR Carbon Copy off of Reverb for under $100 and call it a day. It’s simple enough that anyone ...
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
The new pedal will have the same functions as the original, but will feature a longer possible delay time (slightly longer than 1 second). At the same time, the MF-104SD was released in a limited edition of 250 units. The MF-104SD had a maximum delay time of 1.4 seconds, slightly longer than the MF-104Z.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
A selection of bass effect pedals at a music store. Bass effects are electronic effects units that are designed for use with an electric bass and a bass amplifier, or for an upright bass and a bass amp or PA system. Bass effects are commonly available in stompbox-style pedals, which are metal or plastic boxes with a foot-operated pedal switch ...
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