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The titles of the volumes derive from discarded titles for the separate books of The Lord of the Rings. J. R. R. Tolkien conceived that novel as a single volume structured into six "books" plus extensive appendices, but his publisher split the work into three volumes, each containing two books; the appendices were included in the third.
The Lord of the Rings is an epic [1] high fantasy novel [a] written by English author and scholar J. R. R. Tolkien.Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work.
The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 by George Allen & Unwin in the UK and by Houghton Mifflin in the US. They collect and analyse much of J. R. R. Tolkien's legendarium, compiled and edited by his son Christopher Tolkien.
Which Lord of the Rings book is the TV show, ... Christopher Tolkien edited The History of Middle-earth, a 12-volume series that includes The Book of Lost Tales and The Lays of Beleriand, ...
1974 Bilbo's Last Song; 1975 "Guide to the Names in The Lord of the Rings" (edited version) published in A Tolkien Compass by Jared Lobdell.Written by Tolkien for use by translators of The Lord of the Rings, a full version, re-titled "Nomenclature of The Lord of the Rings," was published in 2005 in The Lord of the Rings: A Reader's Companion by Wayne G. Hammond and Christina Scull
Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences, including his philological interest in language, [113] Christianity, [114] [115] medievalism, [116] mythology, archaeology, [117] ancient and modern literature, and personal experience.
[28] [29] Tolkien's works brought fantasy literature a new degree of mainstream acclaim; numerous polls named The Lord of the Rings the greatest book of the century. [30] The author and editor of Journal of the Fantastic in the Arts, Brian Attebery, writes that fantasy is defined "not by boundaries but by a centre", which is The Lord of the ...
The Lord of the Rings transformed the genre of fantasy writing. [3] Tolkien has been called the "father" of modern fantasy. [14] The author and editor of Journal of the Fantastic in the Arts, Brian Attebery, writes that fantasy is defined "not by boundaries but by a centre", which is The Lord of the Rings.
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