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The substitute chord must have some harmonic quality and degree of function in common with the original chord, and often only differs by one or two notes. Scott DeVeaux describes a "penchant in modern jazz for harmonic substitution." [8] One simple type of chord substitution is to replace a given chord with a chord that has the same function.
It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a desired tone or sound. The simplest type of finger substitution is when a finger replaces another finger during a rest; the more difficult type is to replace one finger with another while a note is ...
In the acoustic piano, harpsichord, and clavichord, the vibrating element is a metal wire or string; in many non-digital electric pianos, it is a tapered metal tine (Rhodes piano) or reed (Wurlitzer electric piano) with one end clamped and the other free to vibrate.
A man tuning an upright piano. Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the ...
A tone cluster is a musical chord comprising at least three adjacent tones in a scale. Prototypical tone clusters are based on the chromatic scale and are separated by semitones. For instance, three adjacent piano keys (such as C, C ♯, and D) struck simultaneously produce a tone cluster.
Chords are inverted by shifting notes by three strings on their original frets. Major-thirds tunings require less hand-stretching than other tunings, because each M3 tuning packs the octave's twelve notes into four consecutive frets. [2] [11] The major-third intervals allow major chords and minor chords to be played with two–three consecutive ...
Franz Schubert's String Quintet in C major concludes with a dramatic final cadence that uses the third of the above progressions. The conventional G 7 chord is replaced in bars 3 and 4 of the following example with a D ♭ 7 chord, with a diminished fifth (G ♮ as the enharmonic equivalent of A); a chord otherwise known as a 'French sixth':
Same as for 3-string prima; Prima Russia A more recent development, professionals consider these inferior to 3-string instruments. Balalaika, secunda 3 strings 3 courses. A 3 A 3 D 4: Secunda Russia Often just a prima with altered tuning, though slightly larger secundas are also made. Balalaika, tenor 3 strings 3 courses. A 2 A 2 D 3: Tenor ...
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