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Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
The bead is held in place by the "head" on the head pin. The portion of the head pin coming out of the opposite side of the bead is essentially wire. This wire is bent into a loop using hand tools and the excess wire is cut off. The resulting bead hanging from a loop is called a "bead dangle".
The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini , a 16th-century Italian sculptor known for his Rococo architectural columns.
Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Seed beads are also used in an embroidery technique where they are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets.
This brooch is a large composite, slightly convex disc, made of two plates of gold connected by a band of beaded gold wire filigree. The setting design is a modified cross pattern with a central boss (raised ornament) and four additional, smaller bosses, decorated with white shell.
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The dragonesque brooch is a distinctive type of Romano-British brooch made in Roman Britain between about 75 and 175 AD. [1] They have been found in graves and elsewhere, in recent years especially by metal-detectors, and were evidently a fairly affordable style; over 200 examples are now known. [ 2 ]
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