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Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
The narrative is formed by the events following the defeat of Macbeth by Malcolm and an English army in the Battle of Dunsinane at the end of William Shakespeare’s play Macbeth. In Greig’s version, Lady Macbeth is known as Gruach. Having outlived her second husband Macbeth, after she had Macbeth kill her first husband, Gruach continued to ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Among its themes are the subordinate role expected from women in 19th-century European society, adultery, provincial life (thus drawing comparison with Flaubert's Madame Bovary) and the planning of murder by a woman, hence it having a title inspired by the Shakespearean character Lady Macbeth from his play Macbeth, and echoing the title of ...
Thomas Middleton, depicted in the frontispiece of Two New Plays, a 1657 edition of Women Beware Women and More Dissemblers Besides Women. Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt Midleton) was an English Jacobean playwright and poet.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]