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Appliqué cross. The edges are covered and stitches are hidden. It is overlaid with decorative gold thread. The term appliqué is derived from French and Latin verbs appliquer and applicare, respectively, which both mean to join or attach. Like embroidery, it has a humble beginning.
Nowadays its usage is more in household, decorative and festival products. The appliqué items are mainly used during rituals and jatras of the deities, particularly the colourful appliqué cloth covers of the three rathas of the deities during Rath Jatra. Apart from differences in colour the basic design of all three is similar.
Broderie perse (French for "Persian embroidery") is a style of appliqué which uses printed motifs from one fabric to create a design on a background fabric. It was popular in the late 18th century and early 19th centuries.
The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
In a garment from Migration period Sweden, roughly 300–700 AD, the edges of bands of trimming are reinforced with running stitch, back stitch, stem stitch, tailor's buttonhole stitch, and Whip stitch, but it is uncertain whether this work simply reinforced the seams or should be interpreted as decorative embroidery.
Very small pin-tuck pleats, cutwork, satin stitch, and floral forms are typical features of whitework embroidery, which, de la Haye describes as “simultaneously decorative and plain”, particularly as the threads used in this technique match the colour of the cloth used. [3]
Buttonhole stitch scallops, usually raised or padded by rows of straight or chain stitches, were a popular edging in the 19th century. Buttonhole stitches are also used in cutwork, including Broderie Anglaise, and form the basis for many forms of needlelace. This stitch is well represented on 16th- and 17th-century whitework items.
Satin stitch in silk. Detail of an altar frontal, France or Italy, 1730–40, Los Angeles County Museum of Art, M.2009.76.. In sewing and embroidery, a satin stitch or damask stitch is a series of flat stitches that are used to completely cover a section of the background fabric. [1]
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