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Russian court dress was a special regulated style of clothing that aristocrats and courtiers at the Russian imperial court in the 19th-20th centuries had to follow. Clothing regulations for courtiers and those invited to the court are typical for most European monarchies, from the 17th century to the present.
During the revival of Russian national culture in the early 19th century, diadem-shaped tiaras became part of the official court dress for royalty and for ladies-in-waiting. These "kokoshniks" were inspired just as much by Italian Renaissance fashions and by the french hood as by the authentic Russian kokoshniks still worn by the middle class ...
Portrait of Empress Maria Feodorovna, by Vladimir Makovski in 1912.The Empress is wearing a regular Court dress. All the ancient occupations of the women at the Court of Russia, traditionally held by boyarynias (wives of boyars), nurses, housekeepers, servants, nannies etc., were abolished and replaced by a new hierarchy inspired by Versailles Court's etiquette and German models, although many ...
Empress of Russia Catherine I, in full Court dress. She is wearing a voluminous white gown, with lace trimming the low, square neckline and sleeves, which are gathered at the elbow. Her red velvet mantel is lined with ermine. The portrait was painted in 1717.
She was known for her gold-sewn imperial gowns. She made the formal court dresses of the daughters of Tsar Nicholas II. [5] She made the 1894 wedding dress of Grand Duchess Xenia Alexandrovna of Russia. [6] In 1910 she retired and left the management to her niece Adriadna Konstantinovna Willim (1890-1976).
For the first time in the history of the Russian court, “intellectual pursuits became fashionable”. When foreigners visited the court, Catherine expected the noblemen and their ladies to flaunt not only their western appearance but also their ability to discuss current events in western languages. [13]
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French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette. After reaching their maximum size in the 1750s, hoop skirts began to reduce in size, but remained being worn with the most formal dresses, and were sometimes replaced with side-hoops, or panniers. [1]