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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 50 ]
Aeschylus responds with the river Spercheios, Death and two crashed chariots, each with a dead charioteer. Since the latter verses refer to "heavier" objects, Aeschylus wins, but Dionysus is still unable to decide whom he will revive, so he reveals the intent of his visit: to save the city of Athens , currently at the losing end of the ...
Due to the popularity of Sophocles' play Antigone, the ending of Seven Against Thebes was rewritten about fifty years after Aeschylus' death. [4] While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a ...
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
This theme of all being lost to war and death is a common one throughout the world of ancient tragedy. This theme is most clearly illustrated in Aeschylus' great trilogy the Oresteia and in Sophocles' trilogy on Oedipus. As in Hecuba's speech, characters from the works of Aeschylus and Sophocles both lament their great losses and what has led ...
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
In a scene modern scholars believe to have been written after Aeschylus's death in order to make it consonant with Sophocles's play, the chorus in Seven Against Thebes is largely supportive of Antigone's decision to bury her brother. Here, the chorus is composed of old men who are largely unwilling to see civil disobedience in a positive light.
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
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