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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002 , p. 232, the work is correctly called Solfeggio , but the author provides no evidence for this.
Download as PDF; Printable version; ... Pages in category "Compositions by Carl Philipp Emanuel Bach" ... Solfeggietto; Sonata in A minor for Solo Flute, Wq. 132 ...
Carl Philipp Emanuel Bach: The Complete Works is a critical edition of the music and keyboard treatise by C.P.E. Bach. The project was begun in 1998–99 in the wake of the aborted Carl Philipp Emanuel Bach Edition , and many of the same eminent music scholars associated with the earlier incomplete edition have become involved with the new one.
H 482. 11 Flute Concertos (lost, CPE Bach's authorship doubtful) H 483. Keyboard Concerto in B-flat major (lost, CPE Bach's authorship doubtful) H 484/1. Flute Concerto in D minor (1747) (CPE Bach's authorship doubtful, arrangement of H.425) H 485. Keyboard Concerto in E minor (CPE Bach's authorship doubtful, arrangement of H.452) H 486.
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), [1] also formerly spelled Karl Philipp Emmanuel Bach, [2] and commonly abbreviated C. P. E. Bach, was a German Baroque and Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.
The Carl Philipp Emanuel Bach Edition was an edition of the music of C.P.E. Bach projected between 1982 and 1995. Many noted musical scholars, such as Christopher Hogwood , were participants in it, and it had the support of the National Endowment for the Humanities .
A page from the 1771 edition of Geistliche Oden und Lieder, showing the typical length and notation of the lieder of the collection.. Geistliche Oden und Lieder ("Sacred Odes and Songs", H. 686, Wq 194), also known as Gellert Oden ("Gellert Odes"), is a collection of songs by Carl Philipp Emanuel Bach with texts by Christian Fürchtegott Gellert.
The tradition of the German oratorio Passion began in Hamburg in 1643 with Thomas Selle’s St John Passion and continued unbroken until the death of Carl Philipp Emanuel Bach in 1788. The oratorio Passion, made famous by Johann Sebastian Bach in his St John Passion and St Matthew Passion , is the style that is most familiar to the modern listener.