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Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
Tolkien made use of Beowulf, along with other Old English sources, for many aspects of the Riders of Rohan. Their land was the Mark, its name a version of the Mercia where he lived, in Mercian dialect *Marc. Their names are straightforwardly Old English: Éomer and Háma (characters in Beowulf), Éowyn ("Horse-joy"), Théoden ("King").
Grendel flees but dies in his marsh den. There, Beowulf later engages in a fierce battle with Grendel's mother in a mere, over whom he triumphs with a sword found there. Following her death, Beowulf finds Grendel's corpse and removes his head, which he keeps as a trophy. Beowulf then returns to the surface and to his men at the "ninth hour". [4]
Tolkien's Roman Catholicism gave him a clear sense of good and evil, and a ready symbolism to hand: light symbolises good, and darkness evil, as it does in the Bible. [ 10 ] [ 11 ] In The Fellowship of the Ring , the first evil being that the Hobbits encounter after leaving the Shire on the quest to destroy the One Ring is Old Man Willow , a ...
The Beowulf dragon is the earliest example in literature of the typical European dragon and first incidence of a fire-breathing dragon. [10] The Beowulf dragon is described with Old English terms such as draca (dragon), and wyrm (reptile, or serpent), and as a creature with a venomous bite. [11]
"Beowulf" might not have the best reputation now, but at the time it was warmly received by critics. It's an adaptation of the Old English epic poem "Beowulf," and stars Ray Winstone as the ...
Gillam suggests: "Beowulf, the champion of men against monsters, is almost inhuman himself. [Aglæca/æglæca] epitomises, in one word, the altogether exceptional nature of the dragon fight. Beowulf, the champion of good, the 'monster' amongst men, challenges the traditional incarnation of evil, the Dragon: æglæca meets æglæcan." [21]
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
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