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The Corpus of Romanesque Sculpture in Britain and Ireland (CRSBI) is an ongoing web-based research tool that freely provides expert reports and photographs of Romanesque sculpture carved in the British Isles between the mid-11thc century and the end of the 12th.
This is a list of artists active within the Romanesque period of Western Art. As biographical information often is scarce about artists from this age, many are anonymous or known only by later notnames .
Outside Romanesque architecture, the art of the period was characterised by a vigorous style in both sculpture and painting. The latter continued to follow essentially Byzantine iconographic models for the most common subjects in churches, which remained Christ in Majesty, the Last Judgment, and scenes from the life of Christ.
Romanesque art — the art of western Europe created during the High Middle Ages. It spans the era from approximately 1000 CE to the rise of Gothic art and architecture in the 12th century and later. It covers Romanesque architecture, Romanesque painting, Romanesque sculpture, and metal working.
Gislebertus's name is the first ever found on stone work from the Romanesque period, as the sculptors before him believed themselves to be working for God, instead of themselves being creative individuals. On the other hand, as Grivot and Zarnecki state: [2] Signatures of this kind were not unusual in the Romanesque period.
His style is characterised by its mix between classic Romanesque and lingering Norse influences. The works attributed to Hegvald are expressive on the verge of grotesque, somewhat vernacular and typically sculpting covers the whole of the font, including the base and foot. [1] [2] [3] [4]
These are considered to be revivals of ancient Roman relief sculptural traditions, and are prime examples of Romanesque sculpture. Wiligelmo's name is known from an epigraph carved as a postscript to the Latin inscription over the foundation date on that facade: "Among sculptors, your work shines forth, Wiligelmo". [3]
The wooden door for the Cathedral of St. Duje in Split, made by Andrija Buvina c. 1214, [2] is the best-known work of Romanesque sculpture in Croatia. The two wings of the Buvina wooden door, which is 530 cm in height, contain 28 scenes from the life of Jesus Christ, starting with the Annunciation and ending with the Ascension, [4] separated by the grape vine, acanthus and interlace ornaments ...