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Ancient Celtic metalwork (2 C, 40 P) P. Pictish art (1 C, 4 P) Pages in category "Celtic art" The following 48 pages are in this category, out of 48 total.
The Early Medieval art of Britain and Ireland, which produced the Book of Kells and other masterpieces, and is what "Celtic art" evokes for much of the general public in the English-speaking world, is called Insular art in art history. This is the best-known part, but not the whole of, the Celtic art of the Early Middle Ages, which also ...
The concept was likely imported to Britain and Ireland Celts by the Guals during the pre-Roman period, with the Rimi altar becoming a major influence on Insular Celtic art. Sculptures from the period often show deities with either three faces or heads, while sacred animals such as lambs, have three rather than two horns. [ 26 ]
The Battersea Shield is one of the most significant pieces of ancient Celtic art found in Britain. It is a sheet bronze covering of a (now vanished) wooden shield decorated in La Tène style . The shield is on display in the British Museum , and a replica is housed in the Museum of London .
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
It is one of the best known works of Celtic art from Iron Age Europe, and, along with the Glauberg "Prince" and the Warrior of Hirschlanden, one of the few large representations of the human figure. After its discovery in 1943, the sculpture became one of the most photographed, reproduced and published La Tène (cc. 450–50 B.C.) objects ever.
The Celtic leaf-crown (German: Blattkrone) is a motif of Celtic art from the early La Tène period. A leaf-crown is composed of two broad lobe-shaped elements. The crowns adorn the heads of anthropomorphic figures, almost always male and often bearded. The lobes have been identified with mistletoe leaves. The interpretation of this motif is ...
R. L. S. Bruce-Mitford and Sheila Raven, A Corpus of Late Celtic Hanging Bowls with an account of the bowls found in Scandinavia, 2005 (OUP) Susan Youngs, 'The Work of Angels', Masterpieces of Celtic Metalwork, 6th-9th Centuries AD, 1989 (British Museum) G. D. S. Henderson, Vision and Image in Early Christian England, 1999 (CUP) - Chapter 1.
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