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The interior design profession became more established after World War II. From the 1950s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources. Historical accounts of interior designers and firms distinct from the decorative arts specialists were made ...
While retaining some classical elements like crown molding and traditional furniture forms, transitional design simplifies these features to create spaces that feel both refined and welcoming. Unlike contemporary design, which evolves with current trends, transitional style maintains consistent principles focused on merging formal architectural ...
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
The American Craftsman style was a 20th century American offshoot of the British Arts and Crafts movement, [1] which began as early as the 1860s. [2]A successor of other 19th century movements, such as the Gothic Revival and the Aesthetic Movement, [2] the British Arts and Crafts movement was a reaction against the deteriorating quality of goods during the Industrial Revolution, and the ...
Traditional Chinese house architecture refers to a historical series of architecture styles and design elements that were commonly utilized in the building of civilian homes during the imperial era of ancient China. Throughout this two-thousand-year-long period, significant innovations and variations of homes existed, but house design generally ...
In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.
A global perspective of design history meant that there was a growth in understanding design history from a global context. This meant that there became different understandings of design history and acknowledging its processes, production and consumption based on the different cultural contexts. This was done through what is called globalization.