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Swiss Letters and Alpine Poems (1881) edited by J. M. Crane; Under His Shadow: the Last Poems of Frances Ridley Havergal (1881) The Royal Invitation (1882) Life Echoes (1883) Poetical Works (1884) edited by M. V. G. Havergal and Frances Anna Shaw; Coming to the King (1886) Jesus, Master, Whose I am Hymns of the Christian Life 1936; My King and ...
Canadian singer the Weeknd references this prayer in his song "Big Sleep" from his 2025 album Hurry Up Tomorrow, where featured artist Giorgio Moroder recites the lines "Now I lay me down to sleep, pray the Lord my soul to keep, angels watch me through the night, wake me up with light" in the second verse.
The Lord is my light and my salvation. Whom, then shall I fear? The Lord is the strength of my life. Of whom then shall I be afraid? Though a host of men were laid against me, yet shall not my heart be afraid; And tho’ there rose up war against me, yet will I put my trust in Him. For in the time of trouble, He shall hide me in His tabernacle.
"Christ the Lord Is Risen Today" has been considered by many Christian hymnologists such as William Studwell, as being the most definitive church anthem for Easter. [10] It is an example where Roman Catholics and Anglicans cease using the word "Alleluia" during the period of Lent but restore it into their services on Easter Sunday.
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Raskhan is widely acknowledged as a great poet, having dedicated most of his creations to Lord. He had an imagery in his poetry. Rachnavali is the collection of Raskhan's poetry. His creations describe the beauty of not only Lord Krishna but also his relations with his beloved Radha. His poetry is in the form of Doha, Padawali and Savayya.
The work's themes and images follow those of a typical poem by Lord Byron: the protagonist is an isolated figure, and brings a strong will to bear against great sufferings. He seeks solace in the beauty of nature (especially in sections ten and thirteen), and is a martyr of sorts to the cause of liberty.
Title Page of a 1916 US edition. A Child's Garden of Verses is an 1885 volume of 64 poems for children by the Scottish author Robert Louis Stevenson.It has been reprinted many times, often in illustrated versions, and is considered to be one of the most influential children's works of the 19th century. [2]