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I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful, a fairy's child; Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made ...
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
"Auguries of Innocence" is a poem by William Blake, from a notebook of his known as the Pickering Manuscript. [1] It is assumed to have been written in 1803, but was not published until 1863 in the companion volume to Alexander Gilchrist's biography of Blake.
Google Dictionary is an online dictionary service of Google that can be accessed with the "define" operator and other similar phrases [note 1] in Google Search. [2] It is also available in Google Translate and as a Google Chrome extension. The dictionary content is licensed from Oxford University Press's Oxford Languages. [3]
This phrase comes from a classic Australian film, “The Castle,” where the main character, Daryl Kerrigan, fights for his home as the bank tries to buy it to build a new airport expansion.
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Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").