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Loose Ends (also known as Loose End) was a British R&B band that achieved several hit records throughout the 1980s and into the 1990s. The trio was formed in London in 1980, initially comprising vocalist and guitarist Carl McIntosh, vocalist Jane Eugene, and keyboard player and vocalist Steve Nichol.
Zagora is the third studio album by British R&B band Loose Ends, released in 1986 by MCA Records.The album spawned the hits "Slow Down", "Stay a Little While, Child" and two others, all of which were hits on the U.S. R&B charts, with "Slow Down" reaching number one on the chart.
Loose Ends; Loose Ends (Jimi Hendrix album), 1974; Loose Ends, a 2008 EP by Rachael Yamagata; Loose Ends (band), a British R&B group "Loose Ends", a song by Bruce Springsteen from Tracks "Loose Ends", a song by Imogen Heap from Speak for Yourself; Loose Ends, a music production company founded by Pete Waterman
"Magic Touch " is the eighth single by English R&B band Loose Ends from their second studio album, So Where Are You?, and was released in May 1985 by Virgin Records. In the group's native UK, the single reached number 16. [2] [3] It is the opening track from the album.
"Hangin' on a String (Contemplating)" is the seventh single by British soul band Loose Ends from their second studio album, So Where Are You?, and was released in February 1985 by Virgin Records. In the group's native UK, the single made the top twenty. [ 1 ]
Loose Ends is a posthumous compilation album [4] by American guitarist Jimi Hendrix, released in February 1974 in the UK. [ 1 ] [ 2 ] It was the fourth and last Hendrix studio album released posthumously by manager Michael Jeffery .
"Slow Down" is the 11th single by English R&B band Loose Ends from their third studio album, Zagora. It was released in September 1986 by MCA Records and produced by Loose Ends' longtime collaborator Nick Martinelli. The single was the group's second and last number one on the Soul Singles chart. [2]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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