Search results
Results from the WOW.Com Content Network
The production supplemented Euripides' play with material drawn from a range of sources, united by their exploration of the themes of death and rebirth. [13] It began with Heiner Müller's Explosion of a Memory (Description of a Picture) (1985) as a prologue; the piece is a dream narrative partly composed using automatic writing.
The following other wikis use this file: Usage on en.wikisource.org Index:The tragedies of Euripides Vol I Buckley.pdf; Page:The tragedies of Euripides Vol I Buckley.pdf/9
The experimentation carried out by Euripides in his tragedies can be observed mainly in three aspects that characterize his theater: he turned the prologue into a monologue informing the spectators of the story's background, introduced the deus ex machina and gradually diminished the choir's prominence from the dramatic point of view in favor ...
Clinging to the altar of the sea-goddess Thetis for sanctuary, Andromache delivers the play's prologue, in which she mourns her misfortune (the destruction of Troy, the deaths of her husband Hector and their child Astyanax, and her enslavement to Neoptolemos) and her persecution at the hands of Neoptolemos' new wife Hermione and her father Menelaus, King of Sparta.
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis .
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
Ambiguity: Euripides' play Heracles asks more questions than it answers. Nowhere is this more apparent than in the topic of faith. During Euripides' time, though most Greeks, like Euripides' Theseus, would have been believers, there is a strain of thinkers who questioned traditional religion and the existence of the gods, much as Heracles does in the play.