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These are the dialogues ascribed to Plato in antiquity. Many of these frequently feature Socrates and are an important part of the Socratic dialogues . Wikimedia Commons has media related to Dialogues by Plato .
The Statesman (Ancient Greek: Πολιτικός, Politikós; Latin: Politicus [1]), also known by its Latin title, Politicus, is a Socratic dialogue written by Plato.The text depicts a conversation among Socrates, the mathematician Theodorus, another person named Socrates (referred to as "Socrates the Younger"), and an unnamed philosopher from Elea referred to as "the Stranger" (ξένος ...
There are 51 Byzantine manuscripts in Greek minuscule that constitute the main basis for the text of Plato's works. [2] Codex Oxoniensis Clarkianus 39 — 895 AD; first six tetralogies, designated B. [3] Codex Parisinus graecus 1807 — circa 900 AD; last two tetralogies and the apocrypha, designated A
The dialogue takes place the day after Socrates described his ideal state. In Plato's works, such a discussion occurs in the Republic . Socrates feels that his description of the ideal state was not sufficient for the purposes of entertainment and that "I would be glad to hear some account of it engaging in transactions with other states" (19b).
Volume 1, Page 142 of the 1578 Stephanus edition of Plato, showing the opening of Theaetetus. Stephanus pagination is a system of reference and organization used in modern editions and translations of Plato (and less famously, Plutarch [citation needed]) based on the three-volume 1578 edition [1] of Plato's complete works translated by Joannes Serranus (Jean de Serres) and published by ...
The Symposium is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, most of it is a series of speeches from different characters.
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]
In Plato's Ion (/ ˈ aɪ ɒ n /; Ancient Greek: Ἴων) Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato ...
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