Search results
Results from the WOW.Com Content Network
The book is organized around seven types of ambiguity that Empson finds in the poetry he discusses. The second edition (revised) was published by Chatto & Windus, London, 1947, and there was another revised edition in 1953. The first printing in America was by New Directions in 1947.
Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion. Rhyme–Rhyme uses repeating patterns to bring out rhythm or musicality in poems. It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality.
Poems are simply presented here without "critical apparatus" directing the student. The poems are meant to be modern (although, in the third edition at least, the authors recognize that it's a stretch to include Gerard Manley Hopkins). With poets who are relatively recent and mostly still living, the works come from the same world as the student.
The phrase pathetic fallacy is a literary term for the attribution of human emotion and conduct to things found in nature that are not human. It is a kind of personification that occurs in poetic descriptions, when, for example, clouds seem sullen, when leaves dance, or when rocks seem indifferent.
All poetry was originally oral, it was sung or chanted; poetic form as we know it is an abstraction therefrom when writing replaced memory as a way of preserving poetic utterances, but the ghost of oral poetry never vanishes. [28] Poems may be read silently to oneself, or may be read aloud solo or to other people.
A second edition was published in 1800, in which Wordsworth included additional poems and a preface detailing the pair's avowed poetical principles. [4] For another edition, published in 1802, Wordsworth added an appendix titled Poetic Diction in which he expanded the ideas set forth in the preface. [ 5 ]
Sonnet 2 begins with a military siege metaphor, something that occurs often in sonnets and poetry — from Virgil (‘he ploughs the brow with furrows’) and Ovid (‘furrows which may plough your body will come already’) to Shakespeare's contemporary, Drayton, “The time-plow’d furrows in thy fairest field.” The image is used here as a ...
The message is reiterated in the last lines of the poem: "But if thou live, remember'd not to be, / Die single, and thine image dies with thee." Not only will the youth die, but so will his image — the one in his mirror, and also his image that may be seen borne by his yet-to-be child.