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The Show-Off is a 1926 American silent film comedy produced by Famous Players–Lasky and distributed by Paramount Pictures, based on the play of the same name by George Kelly. Directed by Mal St. Clair , the film stars Ford Sterling , Lois Wilson and Louise Brooks .
The Show-Off is a 1924 stage play by George Kelly about a working-class North Philadelphian family's reluctance to accept their daughter's suitor Aubrey Piper, an overly confident Socialist buffoon. The play has been revived five times on Broadway and adapted for film four times; it is Kelly's most frequently produced play.
Synonyms received positive reviews from film critics. It holds an 88% approval rating on review aggregator website Rotten Tomatoes, based on 90 reviews, with an average of 7.3/10. The site's critical consensus reads, "Synonyms latches onto third-rail issues with thrilling audacity -- and taps into an energy that proves as discomfiting as it is ...
The Show-Off is a 1946 American comedy film directed by Harry Beaumont based on the play of the same name by George Kelly.It stars Red Skelton and Marilyn Maxwell. [2] It was previously filmed in 1926 as The Show-Off starring Ford Sterling, Lois Wilson and Louise Brooks and in 1934 as The Show-Off with Spencer Tracy and Madge Evans.
The British Guide to Showing Off is a 2011 documentary film written and directed by Jes Benstock, which follows the build-up and execution of the twelfth Alternative Miss World - artist Andrew Logan's pastiche of the Miss World beauty pageant.
A type of cut from one shot to another where the composition of each shot is matched to the other by the action or subject matter depicted; e.g. in a scene depicting a duel, a long shot showing both of the duellists might cut to a close-up shot of one of the duellists in the midst of the action. Match cuts are precisely timed and coordinated so ...
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Off-screen action often leaves much to the audience's imagination. As a narrative mode and stylistic device , it may be used for a number of dramatic effects. It may also be used to save time in storytelling, to circumvent technical or financial constraints of a production, or to meet content rating standards.