Search results
Results from the WOW.Com Content Network
13th; 14th; 15th; 16th; 17th; 18th; Subcategories. ... Pages in category "13th-century paintings" The following 12 pages are in this category, out of 12 total.
The Zuijin Teiki Emaki (随身庭騎絵巻, "Illuminated Scroll of the Imperial Guards" or "Illuminated Scroll of the Imperial Guard Cavalry"), is an emakimono or emaki (painted narrative handscroll) from the 13th century, in the Kamakura period of Japanese history (1185–1333).
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).
The 6th-century Rabbula Gospels includes some of the earliest surviving images of the crucifixion and resurrection. [57] By the 6th century the bearded depiction of Jesus had become standard in the East, though the West, especially in northern Europe, continued to mix bearded and unbearded depictions for several centuries. The depiction with a ...
The crusaders encountered a long and rich artistic tradition in the lands they conquered at the end of the 11th century and the beginning of the 12th. Byzantine and Islamic art (that of both the Arabs and the Turks ) were the dominant styles in the Crusader states , although there were also the styles of the indigenous Syrians and Armenians .
Claricia or Clarica was a 13th-century German illuminator. She is noted for including a self-portrait in a South German psalter of c. 1200, now in The Walters Art Museum, Baltimore. In the self-portrait, she depicts herself as swinging from the tail of a letter Q. [1] Additionally, she inscribed her name over her head.
A surviving edition of this work is a copy from the Song dynasty in the 11th century, the Song copy of the Portraits of Periodical Offering of Liang (梁職貢圖宋摹本), [6] and is currently preserved at the National Museum of China. The original work consisted of at least twenty five portraits of ambassadors from their various countries.