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Late Antique Gold Glass in the British Museum, PhD Thesis. Howells, Daniel Thomas (2015). "A Catalogue of the Late Antique Gold Glass in the British Museum (PDF)." London: the British Museum (Arts and Humanities Research Council). Accessed 2 October 2016. Kenneth Lapatin (2015). Luxus: The Sumptuous Arts of Greece and Rome. Getty Publications.
Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [ 1 ] (1711–1786), who was responsible for its revival.
Two large stained-glass windows installed by Hartford City Glass Company's Belgian glass workers A New England Glass Company ewer , 1840–1860 A Novelty Glass Company advertisement in 1891 An electrical insulator made by Whitall Tatum Company , circa 1922
Traditionally the bridge of Windsor glasses is a "saddle" (a simple, arched piece of metal joining the two eyerims), and hence to prevent the glasses slipping off the face the temples are "riding bow temples" (a strongly arched wire that hooks around the ears); however, in a modern and extended definition, Windsors typically have a bridge with ...
Detail of a gold glass medallion with a portrait of a family, from Alexandria (Roman Egypt), 3rd–4th century (Brescia, Museo di Santa Giulia) [24] Gold sandwich glass or gold glass was a technique for fixing a layer of gold leaf with a design between two fused layers of glass, developed in Hellenistic glass and revived in
Elegant glass manufacturers produced vibrant colors that varied far more than Depression Glass. [1] Shades of red, blue, green, amber, yellow, smoke, amethyst, and pink were produced. An easy way to compare the difference in color quality is to take a look at a piece of cobalt Elegant glass and place it alongside a piece of cobalt Depression Glass.
Anton Chekhov with pince-nez, 1903. Pince-nez (/ ˈ p ɑː n s n eɪ / or / ˈ p ɪ n s n eɪ /, plural form same as singular; [1] French pronunciation:) is a style of glasses, popular in the late 19th and early 20th centuries, that are supported without earpieces, by pinching the bridge of the nose.
Beaker made using the ‘Zwischengoldglas’ technique, mid 18th century V&A Museum no. 1271-1872. Zwischengoldglas, (German "gold between glass", plural Zwischengoldgläser) is a type of decorated glassware in which a design in gold leaf is created on a glass vessel, then sealed under another precisely-fitting glass vessel, which is then bonded to the first piece with cement.
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