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Canadian farm girl churning butter, 1893. Churning is the process of shaking up cream or whole milk to make butter, usually using a device called butter churn. In Europe from the Middle Ages until the Industrial Revolution, a churn was usually as simple as a barrel with a plunger in it, moved by hand. These have mostly been replaced by ...
Megan likes salted butter for toast and sandwiches (like her family-favorite turkey sandwich with mayonnaise and butter), as well as for topping popcorn and mashed potatoes (though unsalted with a ...
The song's lyrics are a double entendre which refer on their face to the process of churning cream to make butter. However, there is a risque, secondary interpretation that is implied by the lyrics. The following passage is illustrative: Keep on churnin' 'til the butter comes Keep on pumpin' make the butter flow Wipe off the paddle and churn ...
Of course, if a recipe indicates salted butter in the ingredients (like these jammy shortbread bars), you should use salted! (And if you don’t have any on hand, you can use unsalted butter, but ...
Slowed and reverb (stylized as "slowed + reverb") is a technique of remixing and a subgenre, derived from chopped and screwed hip-hop [12] and vaporwave, [13] which involves slowing down and adding reverb to a previously existing song, often created by using digital audio editors such as Audacity.
"Shakin' Hands" is a promotional single by Nickelback off their sixth studio album, Dark Horse, released on November 16, 2009, as the second U.S. rock radio-only single (seventh single overall). [ 1 ]
Heavy Cream is a compilation album of material recorded by the British rock band Cream from 1966 to 1969.. Although available in other territories as well, the album was largely released to address the North American market, in order for Polydor Records to leverage Cream's back catalogue; prior to 1972, Polydor had licensed Cream's recordings to Atco/Atlantic Records for North American ...
"Shake" is a song written and recorded by Sam Cooke. [1] It was recorded at the last recording session Cooke had before his death on December 11, 1964. In the U.S., the song became a posthumous Billboard , Top 10 hit for Cooke, peaking at number seven in February 1965, as well as peaking at number two for three weeks on the Cashbox R&B charts.