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Location. National Gallery, London. The Courtyard of a House in Delft is a 1658 oil painting by Pieter de Hooch, located in the National Gallery, London. The painting is considered typical of de Hooch's middle period, in which he painted detailed portrayals of Dutch domestic architecture and courtyards. The painting is signed and dated "P.D.H.
Dutch Colonial Revival architecture. Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
Wall paneling—including beadboard, fluting, board and batten, shiplap, and wainscoting—can also infuse warmth and texture into a space. Related: 20 Wainscoting Ideas for Adding Character to ...
Dutch Colonial Revival architecture. Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
Tudor Revival houses are dissimilar to the timber-framed structures of the originals, in which the frame supported the whole weight of the house. Their modern counterparts consist of bricks or blocks of various materials, stucco, or even simple studwall framing, with a lookalike "frame" of thin boards added on the outside to mimic the earlier ...
6. Keep it fresh. If you don't have a green thumb, a faux plant will do, like this boxwood topiary that works year-round. Add it to your dining table, the front porch or anywhere you need a touch ...
Accession. 1975.1.144. Leisure Time in an Elegant Setting is a painting by Dutch artist Pieter de Hooch, created c. 1663–1665. Done in oil on canvas, the painting depicts the interior of a Dutch home and two distinct conversations taking place. Leisure is in the collection of the Metropolitan Museum of Art, in New York.
He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. [1] He was active in 1683, but his date of death is unknown (his son Pieter died in 1684, a ...
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