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Most of the company’s early wares carried one of the various “Nippon” back stamps to indicate its country of origin when exported to Western markets. [5] Today, many collectors agree that the best examples of “Nippon-era” (1891–1921) hand painted porcelain carry a back stamp used by "Noritake" during the Nippon era. [citation needed]
Colleen Moore wearing a hat with a hatpin, 1920 Hatpins. A hatpin is a decorative and functional pin for holding a hat to the head, usually by the hair. In Western culture, hatpins are almost solely used by women and are often worn in a pair. They are typically around 6–8 inches (15–20 cm) in length, with the pinhead being the most ...
The Hare with Amber Eyes netsuke, by Masatoshi, Osaka, c. 1880, signed.Ivory, amber buffalo horn. A netsuke (根付, ) is a miniature sculpture, originating in 17th century Japan.
This is a list of list of Royal Doulton figurines in ascending order by HN number. HN is named after Harry Nixon (1886–1955), head of the Royal Doulton painting department who joined Doulton in 1900. [ 1 ]
The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value.
A collection of vintage branded hat boxes of varying sizes A boy carrying an assortment of hat boxes in New York City c. 1912. A hat box (also commonly hatbox and sometimes hat bucket, hat tin or bandbox) is a container for storing and transporting headgear, protecting it from damage and dust. A more generic term for a box used to carry ...
A technique and style practised all over Japan, and now the world. Typically, vessels are hand-thrown without using a wheel, giving a simple and rather rough shape, and fired at low temperatures before being cooled in the open air. In modern periods combustible material is generally placed in the kiln, reacting unpredictably with the glaze ...
Capodimonte is most famous for its moulded figurines. [1] The porcelain of Capodimonte, and later Naples, was a "superb" translucent soft-paste, "more beautiful" but much harder to fire than the German hard-pastes, [2] or "a particularly clear, warm, white, covered with a mildly lustrous glaze". [3]
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