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First measures of Chopin's Étude Op. 25, No. 1. (Urtext edition). This étude comprises a right-hand melody and supportive bass line, the accompaniment consisting of broken chords, provided by the inner voices of both hands, usually in semiquaver-tuplets. The left hand introduces polyrhythms from time to time.
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Musicologist Hugo Leichtentritt (1874–1951) calls the étude a "moto perpetuo". [10] The transparent texture of nonstop semiquavers accompanied by a light "dancing" bass has its forerunners in Bach's Prelude No. 5 in D major (BWV 850) from the first book of The Well-Tempered Clavier and resembles other virtuoso pieces from around 1830 such as Paganini's Moto Perpetuo for violin and piano.
Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Op. 10, 12 Études: Étude in C major (1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude in E ♭ minor (1830) Étude in C major ...
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Excerpt from Étude Op. 10, No. 1. Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the first piece of his Études Op. 10.
Excerpt from Étude Op. 10, No. 4. Étude Op. 10, No. 4 in C ♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fourth piece of his Études Op. 10.
Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913–2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100 ...
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