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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 51 ]
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
Aeschylus, in his lost tragedy The Myrmidons (5th century BC), assigned Achilles the role of erastes or protector (since he had avenged his lover's death, even though the gods told him it would cost him his own life), and assigned Patroclus the role of eromenos. Achilles publicly laments Patroclus' death, addressing the corpse and criticizing ...
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
The proverbial image of the wounded eagle was to become a common conceit in English poetry of the 17th century and after. Just as Aeschylus described his image as coming from Libya, James Howell identifies the 2nd century writer Lucian as his source in a commendatory poem on the work of Giles Fletcher:
Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.
Finally, Athenaeus (a grammarian of the 2nd and 3rd centuries AD) wrote in Book 15.16 of his Deipnosophists the following regarding a contemporary Athenian festival dedicated to Prometheus: "Aeschylus clearly states in the Unbound that in honor of Prometheus we place a garland on the head as recompense of his bondage."