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Oklahoma Crude is a 1973 American comedy-drama western film directed by Stanley Kramer in Panavision. It stars George C. Scott , Faye Dunaway , John Mills and Jack Palance . It was entered into the 8th Moscow International Film Festival where Kramer won the Golden Prize for Direction. [ 2 ]
Operation Popeye / Sober Popeye (Project Controlled Weather Popeye / Motorpool / Intermediary-Compatriot) was a military cloud-seeding project carried out by the U.S. Air Force during the Vietnam War in 1967–1972.
Documentary films about the Vietnam War (1955-1975). ... Benefit of the Doubt (1967 film) Between the Lines (2008 film) Bomb Harvest; The Boys Who Said No! C.
The Anderson Platoon (French: La Section Anderson, released in 1966 in Europe, 1967 in the US) is a documentary feature by Pierre Schoendoerffer about the Vietnam War, named after the leader of the platoon - Lieutenant Joseph B. Anderson - with which Schoendeorffer was embedded. Two decades later, a sequel was released as Reminiscence.
At the beginning of 1967 the United States was engaged in a steadily expanding air and ground war in Southeast Asia. Since its inception in February 1965, Operation Rolling Thunder, the bombing campaign against North Vietnam, had escalated in the number and significance of its targets, inflicting major damage on transportation networks industry, and petroleum refining and storage facilities.
Hundreds of thousands of anti-war protesters jammed the streets in April 1971 in Washington, D.C., and as the demonstration against U.S. involvement in the Vietnam War heightened, more than 7,000 ...
During the early stages of the U.S. involvement in the Vietnam War, several U.S. Special Forces Civilian Irregular Defense Group (CIDG) camps were established along the borders of South Vietnam in order both to maintain surveillance of PAVN and Viet Cong (VC) infiltration and to provide support and training to isolated Montagnard villagers, who bore the brunt of the fighting in the area.
After the Vietnam War ended in 1975, there was an increase in American films that were more "raw,” containing actual battle footage. A FilmReference.com article noted that American filmmakers "appeared more confident to put Vietnam combat on screen for the first time" during that era. [1]