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HDCAM deck HDCAM L tape. SMPTE 367M, also known as SMPTE D-11, is the SMPTE standard for HDCAM. The standard specifies compression of high-definition digital video. D11 source picture rates can be 24, 24/1.001, 25 or 30/1.001 frames per second progressive scan, or 50 or 60/1.001 fields per second interlaced; compression yields output bit rates ranging from 112 to 140 Mbit/s.
Original image, with good text edges and color grade Loss of edge clarity and tone "fuzziness" in heavy JPEG compression. A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression.
In TV system use, a device having a bandpass greater than the band of a single VHF TV channel. Burned-In-Image Also called burn. An image which persists in a fixed position in the output signal of a camera tube after the camera has been turned to a different scene or, on a monitor screen.
Digital video comprises a series of digital images displayed in rapid succession. In the context of video, these images are called frames. [e] The rate at which frames are displayed is known as the frame rate and is measured in frames per second. Every frame is a digital image and so comprises a formation of pixels.
A 14-inch reel of 2-inch quad videotape compared with a modern-day MiniDV videocassette. Both media store one hour of color video. The first commercial professional broadcast quality videotape machines capable of replacing kinescopes were the two-inch quadruplex videotape (Quad) machines introduced by Ampex on April 14, 1956, at the National Association of Broadcasters convention in Chicago.
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The imaging process was different from that of a modern digital camera, though the result was similar; Viking used a mechanically scanned facsimile camera rather than a mosaic of solid state sensor elements. [9] This produced a digital image that was stored on tape for later, relatively slow transmission back to Earth. [10] [11]
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