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After the take, she told Jagger what transpired in the booth and suggested that "who who" be used in the song as a backing vocal chant. The Stones then gave it a go and after the first take, "Who who" became "woo-woo", with most of this caught on film by director Jean-Luc Godard for his One Plus One (a.k.a. Sympathy for the Devil) movie.
The song became JID's first song to reach the top 5 in the US, and became the band's first song to reach the top 5 since the 2017 song "Thunder". In 2023, for the 35th anniversary of Alternative Airplay – where "Enemy" charted for 54 weeks, of which 9 were spent at the top spot – Billboard ranked the song as the 14th-most successful in the ...
The track "The Enemy God Dances with the Black Spirits" on Works Volume 1 by progressive rock group Emerson, Lake & Palmer is an arrangement of the second movement. The San Francisco Symphony Orchestra, conducted by Michael Tilson Thomas, performed the piece during Metallica's S&M2 concerts at Chase Center, San Francisco on September 6 and 8, 2019.
O LORD my God, If I have done this; if there be iniquity in my hands; If I have rewarded evil unto him that was at peace with me; (yea, I have delivered him that without cause is mine enemy:) Let the enemy persecute my soul, and take it; yea, let him tread down my life upon the earth, and lay mine honour in the dust. Selah.
Psalm 64 is the 64th psalm of the Book of Psalms, beginning in English in the King James Version: "Hear my voice, O God, in my prayer: preserve my life from fear of the enemy". In the slightly different numbering system of the Greek Septuagint version of the Bible and the Latin Vulgate , this psalm is Psalm 63 .
The song appears in the 1999 video game Thrasher: Skate and Destroy.The song also is featured in the 2004 video game Grand Theft Auto: San Andreas on the classic hip-hop station, Playback FM (for which Public Enemy's frontman Chuck D voiced the station's DJ "Forth Right MC"), as is "The Grunt" on Master Sounds 98.3.
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Too black, too strong is the short form of a Malcolm X quotation from his "Message to the Grass Roots".It may also refer to: "Bring the Noise", a Public Enemy track that uses the Malcolm X sample