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Aristotle's views on fine art distinctly recognized (in the Politics and elsewhere) that the aim of art is immediate pleasure, as distinct from utility, which is the end of the mechanical arts. He took a higher view of artistic imitation than Plato, holding that it implied knowledge and discovery, that its objects not only comprised particular ...
Rembrandt's Aristotle with a Bust of Homer, too, is a celebrated work, showing the knowing philosopher and the blind Homer from an earlier age: as the art critic Jonathan Jones writes, "this painting will remain one of the greatest and most mysterious in the world, ensnaring us in its musty, glowing, pitch-black, terrible knowledge of time."
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric". [1]
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist, groups of artists or art movement.
Famous for the concept of Apeiron, or "the boundless". Anaximenes of Miletus (c. 585 – 525 BC). Of the Milesian school. Believed that all was made of air. Pythagoras of Samos (c. 580 – c. 500 BC). Of the Ionian School. Believed the deepest reality to be composed of numbers, and that souls are immortal. Xenophanes of Colophon (c. 570 – 480 ...
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The history of medieval philosophy is traditionally divided into two main periods: the period in the Latin West following the Early Middle Ages until the 12th century, when the works of Aristotle and Plato were rediscovered, translated, and studied upon, and the "golden age" of the 12th, 13th and 14th centuries in the Latin West, which ...
1974 in art – For the first time in art history, the chemogram invented by Josef H. Neumann closed the separation of the painterly background and the photographic layer in a symbiosis of painting and real photographic perspective.