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Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Leonore No. 3 Overture, Op. 72b (1806); one of a series of overtures composed for the opera Leonore, later renamed Fidelio. Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale.
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
A love theme is a special theme song (often in various modified forms) that accompanies romantic scenes involving the protagonists of a performance. Theme songs are among the works of incidental music that are most commonly released independently of the performance for which they were written, and occasionally become major successes in their ...
Some of them remain in the repertory, particularly in German-speaking countries, and he composed a substantial quantity of church music, but he is now chiefly known for his overtures, which remain popular in the concert hall and on record. Among the best-known are Poet and Peasant, Light Cavalry, Morning, Noon, and Night in Vienna and Pique Dame.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The main theme of the overture to Romeo and Juliet was adapted in 1939 by bandleader Larry Clinton as popular song "Our Love" (lyrics by Buddy Bernier and Bob Emmerich) and recorded by Clinton and by Jimmy Dorsey. [18] Composer Walter Murphy arranged a disco version of the Overture-Fantasy on his 1979 album Walter Murphy's Discosymphony.
Musical overtures can be: Instrumental pieces that precede a stage production; One-movement pieces for concert performance or specific occasions (concert overtures); Baroque suites, in that case synonym to "Ouverture".