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While experimenting with increasingly three-dimensional canvases, McCracken began to produce art objects made with industrial techniques and materials. His pieces were handcrafted from plywood and surfaced with fiberglass and layers of hand-mixed, reflective, colorful resin. [2] He applied techniques akin to those used in surfboard construction.
Statue on pedestal & steps: Bronze and stone: Q17814233 [2] [13] Ceramic panels 40-42 Bellfield St. 1982-83: Keith Donnelly Relief panels: Ceramic resin [2] Deer Leap: Riverside Avenue, Dundee Technology Park: 1987: David Annand: Sculpture group: Bronze [2] Lily buds & jute twists Nethergate, High St., Murrygate & Panmure St. 1992-c.1996: David ...
By the 1990s, evidence of structural instability, manifest through cracks, erosion, and the deterioration of caulking in the pedestal was observable. [2] In February 1995, the statue was moved 20 feet to the west to prevent it falling off the bluff. Additionally, in September of that year, the statue was cleaned and covered in acrylic resin.
Ashtabandhanam is the process of affixing an icon to its pedestal (peetham) with a clay-like paste made of 8 specific herbs mixed with wood lac, limestone powder, resin, red ochre, beeswax and butter. The paste is formed into long rolls about 2 cm thick and applied directly around the base of the icon, so that the cemented joints become watertight.
Stands upon a 3 m (10 ft) pedestal [16] Vulcan: 17.1: 56: Giuseppe Moretti: 1904: Red Mountain, ... polyester resin and marble dust Orpheus Francis Scott Key Monument ...
The exhibition starts with Pashgian spheres that were made in the 1960s that are lined up on an acrylic pedestal. Another work showcased was layered rectangles made out of acrylic and Untitled 2021 from Lehmann Maupin's show. One of the show's centerpieces is the installation of Helen's 2014 LACMA exhibit.
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