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Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
Gandhāran Buddhism was the Buddhist culture of ancient Gandhāra, which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. [1] [2] Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad.
Gandhara among the kingdoms of Epic Indian history. Gandhāra (Sanskrit: गन्धार) was an ancient Indian kingdom mentioned in the Indian epics Mahabharata and Ramayana. Gandhara prince Shakuni was the root of all the conspiracies of Duryodhana against the Pandavas, which finally resulted in the Kurukshetra War.
By the later 6th century BCE, the founder of the Persian Achaemenid Empire, Cyrus, soon after his conquests of Media, Lydia, and Babylonia, marched into Gandhara and annexed it into his empire. [11]
Vrishabha Sen was the Ganadhara of Tīrthankara Rishabhanatha.According to Jain legends, after the nirvana of Rishabhanatha, Bharata was in grief. Ganadhara Vrisabha Sen saw him and spoke to him:
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara , located in the northwestern fringe of the Indian subcontinent .
The Greco-Buddhist art of Gandhara, beyond the omnipresence of Greek style and stylistic elements which might be simply considered as an enduring artistic tradition, [89] offers numerous depictions of people in Greek Classical realistic style, attitudes and fashion (clothes such as the chiton and the himation, similar in form and style to the ...