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Tuồng cải lương (Vietnamese: [tûəŋ ka᷉ːj lɨəŋ], Hán-Nôm: 從改良) often referred to as Cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, hát tuồng (a classical theatre form based on Chinese opera), and modern ...
Hát tuồng is often referred to as classical "Vietnamese opera" influenced by Chinese opera. [2] [3] Tuồng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lương folk musical.
The instrument originated from South Viet Nam, and is used in entertainment contexts. It can be played alone, as part of an orchestra, or to accompany cải lương (Vietnamese folk opera). The instrument’s name can be broken down as “đàn” meaning string instrument, and “gáo” literally translated as an aged coconut shell used as a ...
The mythology of the ethnic Vietnamese people (the Việt,) has been transferred through oral traditions and in writing. The story of Lạc Long Quân and Âu Cơ has been cited as the common creation myth of the Vietnamese people. The story details how two progenitors, the man known as the Lạc Long Quân and the woman known as the Âu Cơ ...
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Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
Turandot (Italian pronunciation: [1] or [turanˈdɔt] ⓘ; [2] [3] see below) is an opera in three acts by Giacomo Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni. Puccini left the opera unfinished at the time of his death in 1924; it premiered in 1926 after the music was posthumously completed by Franco Alfano.