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Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition, in particular the entry from Jacques Derrida and Peter Eisenman [3] and the winning entry by Bernard Tschumi, as well as the Museum of Modern Art’s 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley.
In philosophy, deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning.The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
[58] [59] However, whether South Vietnamese architecture prior to 1975 was brutalism or not remains a matter of dispute, with some architects argued it was actually modernism. [60] In recent years, public sentiments in Vietnam towards brutalist architecture has shifted negatively, but the style is said to have made a comeback recently. [61]
Deconstruction is commonly separated into two categories; structural and non-structural. Non-structural deconstruction, also known as “soft-stripping”, consists of reclaiming non-structural components, appliances, doors, windows, and finish materials. The reuse of these types of materials is commonplace and considered to be a mature market ...
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3] It is both the process and the product of sketching, conceiving, [4] planning, designing, and constructing buildings or other structures. [5]
The concept of sustainable development can be traced to the energy (especially fossil oil) crisis and environmental pollution concerns of the 1960s and 1970s. [20] The Rachel Carson book, " Silent Spring ", [ 21 ] published in 1962, is considered to be one of the first initial efforts to describe sustainable development as related to green ...
When telling friends about the kind of music they were making, they kept referencing Deconstructivism as an art movement, so they eventually figured they should just call the band Deconstruction ...
Derrida's concept of "trace" is quite similar to Martin Heidegger's concept of Dasein, although from different perspectives. Here, we see the relationship between Heideggerian existentialism and the Derridian concept of "trace", which, in turn, will also work as an indicator of a very close relationship between existentialism and deconstruction.